Italian American Women Writers: Forging Identities Through a Shared Immigrant Heritage: Essays and Criticism

In a series of conversational observations and meditations on the writing process,The Art of Slow Writing examines the benefits of writing slowly. DeSalvo advises her readers to explore their creative process on deeper levels by getting to know themselves and their stories more fully over a longer period of time. She writes in the same supportive manner that encourages her students, using the slow writing process to help them explore the complexities of craft.The Art of Slow Writing is the antidote to self-help books that preach the idea of fast-writing, finishing a novel a year, and quick revisions. DeSalvo makes a case that more mature writing often develops over a longer period of time and offers tips and techniques to train the creative process in this new experience. DeSalvo describes the work habits of successful writers (among them, Nobel Prize laureates) so that readers can use the information provided to develop their identity as writers and transform their writing lives. It includes anecdotes from classic American and international writers such as John Steinbeck, Henry Miller, Virginia Woolf and D. H. Lawrence as well as contemporary authors such as Michael Chabon, Junot Diaz, Jeffrey Eugenides, Ian McEwan, and Salman Rushdie. DeSalvo skillfully andgently guides writers to not only start their work, but immerse themselves fully in the process and create texts they will treasure.

In this stunning and important work, the prominent critic, poet, and memoirist Sandra M. Gilbert explores our relationship with food and eating through discussions of literature, art, and popular culture. Focusing on contemporary practices, The Culinary Imagination traces the social, aesthetic, and political history of food from myth to modernity, from ancient sources to our current wave of food mania. What does it mean to transform raw stuff into cooked dishes, which then become part of our own bodies; to savor festive meals yet resolve to renounce gluttony; to act as predators where in another life we might have become prey? Do the rituals of the kitchen have different meanings for men and women, for professional chefs and home cooks? Why, today, do so many of us turn so passionately toward table topics, on the page, online, and on screen? What are the philosophical implications of the food chain on which we all find ourselves? In The Culinary Imagination, Gilbert addresses these powerful questions through meditations on myths and memoirs, children's books, novels, poems, food blogs, paintings, TV shows, and movies. Discussing figures from Rex Stout to Julia Child and Andy Warhol, from M. F. K. Fisher and Sylvia Plath to Alice Waters and Peter Singer, she analyzes the politics and poetics of our daily bread, investigating our complex self-definitions as producers, consumers, and connoisseurs of food. The result is an ambitious, lively, and learned examination of the ways in which our culture's artists have represented food across a range of genres.

Stories navigating the commplicated terrain of race in America, from acclaimed writers like Toni Morrison, E.L. Doctorow, Sandra Cisneros, Sherman Alexie, and Amy Tan The editors who brought us Unsettling America and Identity Lessons have compiled a short-story anthology that focuses on themes of racial and ethnic assimilation. With humor, passion, and grace, the contributors lay bare poignant attempts at conformity and the alienation sometimes experienced by ethnic Americans. But they also tell of the strength gained through the preservation of their communities, and the realization that it was often their difference from the norm that helped them to succeed. In pieces suggesting that American identity is far from settled, these writers illustrate the diversity that is the source of both the nation's great discord and infinite promise. "These beautiful stories radiate with the poignant, ingenious ways young people come to terms with their ethnic identities, negotiating their families, school, friends and their futures . . . This exemplary collection fulfills the editors' aims: to open dialogue and encourage the telling of difficult, adaptive or affirming life experiences." -Publisher's Weekly

Here is the fiery, provocative, and unparalleled work of feminist art criticism that launched Camille Paglia's exceptional career as one of our most important public intellectuals. Is Emily Dickinson "the female Sade"? Is Donatello's David a bit of pedophile pornography? What is the secret kinship between Byron and Elvis Presley, between Medusa and Madonna? How do liberals and feminists--as well as conservatives--fatally misread human nature? This audacious and omnivorously learned work of guerrilla scholarship offers nothing less than a unified-field theory of Western culture, high and low, since Egyptians invented beauty--making a persuasive case for all art as a pagan battleground between male and female, form and chaos, civilization and daemonic nature. 47 photographs.

Long regarded as an underground classic for its gritty and unabashedly erotic portrayal of the Beat years, Memoirs of a Beatnik is a moving account of a powerful woman artist coming of age sensually and intellectually in a movement dominated by a small confederacy of men, many of whom she lived with and loved. Filled with anecdotes about her adventures in New York City, Diane di Prima's memoir shows her learning to "raise her rebellion into art," and making her way toward literary success. Memoirs of a Beatnik offers a fascinating narrative about the courage and triumphs of the imagination.

From Margaret Atwood to Daisy Zamora, Simone de Beauvoir to Virginia Woolf, many of the world's greatest women writers have reflected upon one of humanity's most tragic and powerful experiences: war. Yet most of these writings are little known, just as women's perceptions of war remain largely absent from the history books. Women on War gathers together writings by more than 150 women, including renowned poets, novelists, essayists, journalists, and activists, as well as ordinary women with firsthand experience of armed conflict as survivors, refugees, rape victims, nurses, and soldiers. Spanning the globe and traversing more than two centuries, the pieces in this compelling collection range from an ancient verse by Sappho about a wife who awaits the return of her warrior husband to an essay by Arundhati Roy about the impact of September 11. In voices that are gripping, mournful, defiant, and often surprisingly hopeful, these writers join to produce a portrait of wartime experience and a plea for peace.

Challenging Images of Women and the Media: Reinventing Women's Lives, edited by Theresa Carilli and Jane Campbell, collects fifteen articles addressing the status of women through an examination of depictions of women in the media. This in-depth study shows how mixed messages from the media muddle attempts at breaking the "glass screen," causing women to constantly question their role in global culture. With cake ads followed by diet commercials, the media's depiction of women is both confusing and contradictory. While more and more women have begun to contribute to the media as respected anchors, talk show hosts, and commentators, these portrayals are often counteracted by music videos and reality television shows such as Jersey Shore. This collection seeks to analyze these depictions and their effects on women and culture. The contributors to this anthology hail from such diverse locations as Japan, Australia, Pakistan, India, China, Bulgaria, and the United States. With this global focus, Challenging Images of Women in the Media scrutinizes issues of race, ethnicity, class, and sexuality through a study of gendered media portrayals. By challenging the status quo of media images, the contributors to this essential volume invite a dialogue about women's lives.

In 1986, love drew Theresa Maggio to Favignana, an island just off the coast of Sicily. There the young journalist encountered the mysterious world of the tonnara-the ritual trapping and killing of bluefin tuna in the Mediterranean Sea-and the mattanza, the stunning, bloody climax of the fishing season when the huge fish are wrestled from the sea and killed. Mattanza is the riveting story of Maggio's annual return to witness this timeless struggle between man and the sea. An alluring blend of memoir, history, and travelogue, Mattanza documents an insular and exotic world where the tonnara continues according to ancient ritual even as modern fishing methods edge it towards extinction.

This book is a journey down the Italian peninsula that will make even the most experienced traveler relive its splendor anew. Harrison offers a fascinating mixture of Italian history, politics, folklore, food, architecture, art, and literature.

Of the mysterious Night Blooming Cereus, Mary Cappello writes: "The flower fell into our neighborhood like a shooting star." That neighborhood was a working-class suburb of Philadelphia riven by class distinction and haunted by contradiction. In tracing the marks that immigration and assimilation have left on her Italian-American family, Cappello also offers us her family's unsung art-their gardens, letters, and rosary beads-for the lessons they teach us about desire, creativity, and loss.

Maria Laurino sifts through the stereotypes bedeviling Italian Americans to deliver a penetrating and hilarious examination of third-generation ethnic identity. With "intelligence and honesty" (Arizona Republic), she writes about guidos, bimbettes, and mammoni (mama's boys in Italy); examines the clashing aesthetics of Giorgio Armani and Gianni Versace; and unravels the etymology of southern Italian dialect words like gavone and bubidabetz. According to Frances Mayes, she navigates the conflicting forces of ethnicity "with humor and wisdom."

In abundant variety, the work of Italian American women is gathered together in one unique and provocative collection. Writers such as Carole Mason, Sandra Gilbert, and Nancy Savoca speak on the complex themes of ethnicity, family, and food in utterly surprising ways. Debunking stereotypes and recasting traditions, they provide an eloquent and daring redefinition of what it means to be an Italian American woman.

Literary Nonfiction. Italian American Studies. Women's Studies. "Since the 1960s Daniela Gioseffi has been an irrepressible and unforgettable voice in many of the key debates in American culture. Her...advocacy has given a special validity to her work in the fields of civil rights and of anti-war activism no less than in the struggles against mafia stereotypes and for an Italian American literary tradition. This book displays the depth and range of her commitment and contribution."—Robert Viscusi, Author: Astoria and Ellis Island, Founding President: The Italian American Writers Association

In the 1993 edition, I considered black madonnas a metaphor for a memory of the time when the earth was belived to be the body of woman and all creatures were equal, a memory transmitted in vernacular traditions of earth-bounded cultures, historically expressed in cultural and poltical resistance, and glimpsed today in movements aiming for transformation. Since then my understanding of black madonnas has been deepened by genetics finding that the orgin of modern humans is Africa, that migrations from Africa carried a primordial belief in a dar woman divinity to all continents. Black madonnas and other dark women of the world suggest a metaphor for healing millennial divisions of gender and race and concerted movements for justice.

A dynamic collection of multimedia work, Curaggia provides a forum for the critical discourse about location and identity within Italian cultures. Curaggia examines the roles of religion, language, class, race, gender, ability, and sexuality; documents how Italian women are transforming their communities, excavating social, economic, and psychological experiences of living in Italy, and abroad; and celebrates the rich diversity of Italian women's lives. Following a tradition of perseverance forged by mothers, grandmothers, aunts and sisters, these reflections launch the processes of naming pain, of shedding myth, stereotype, and distortion of self and other, and they move us toward exploring dreams, toward building a stronger coalition politic.